Understanding layers: why I hide collage below layers of paint

For a long time, I simply did not understand the importance of building up layers in art journals. I looked at mixed media artists with astonishment. Why would they do that, I’d wonder, as they put down beautiful scrapbook paper on the page, only to hide it under gesso and layers of paint. Or I’d watch in utter fascination as they laid down beautiful doodles and stamps and stencils, and then again hid it under layers and layers of paint.

But why? Those looked like complete paintings too!Continue reading

Take 10: How to create stunning art journal pages in 10 minutes a day

I hear ya – you’re busy, what with work, home, socializing, blogging…all the other roles, responsibilities, and activities that make up your day. Where and how will you find the time to make art, you wonder?

What if I told you to take out just 10 minutes a day? You know you can do it – after all, we spend a lot more than that mindlessly scrolling through our Twitter and Facebook timelines!

But can you really create an art journal page in 10 minutes a day?Continue reading

Sgraffito and scumbling to create texture and interest

Recently, I found myself in a bit of a rut. I started feeling like all the backgrounds in my art journals were the same – some drips, a bit of stenciling and gesso. Ho-hum! To try and switch things up a bit, I’ve been researching some techniques, including those that haven’t necessarily been used exclusively by painters. Two that really piqued my interest are sgraffito and scumbling.

Sgraffito

This technique, which is widely used for wall decor, involves the application of layers of plaster in different tints or colors that is then scratched to reveal the underlying color. A similar technique is used in pottery and stain glass. Sgraffito on walls and as murals or frescos was especially popular during the Italian Renaissance; Raphael, Polidoro da Caravaggio and Maturino da Firenze were particularly sought after to paint palace facades in Rome.Continue reading

Release your fear: create art with wild abandon

release fear comparison create wild abandon

Fear of paint, of art, of creativity is something I’ve come across over and over again. People constantly say they can’t paint, or they can’t draw. But I say that everyone can paint. Yes, everyone.

Think back to your childhood – chances are that painting and drawing were your favorite pastimes. But as you grew older, you suddenly started thinking that you cannot paint.

Why?Continue reading

Quest for the process: Process art and using the philosophy in an art journal spread

While researching the various art movements through the centuries, I came upon the concept of process art.

“Process art is an artistic movement as well as a creative sentiment where the end product of art and craft, the objet d’art (work of art/found object), is not the principal focus. The ‘process’ in process art refers to the process of the formation of art: the gathering, sorting, collating, associating, patterning, and moreover the initiation of actions and proceedings. Process art is concerned with the actual doing and how actions can be defined as an actual work of art; seeing the art as pure human expression. Process art often entails an inherent motivation, rationale, and intentionality. Therefore, art is viewed as a creative journey or process, rather than as a deliverable or end product.” Wikipedia

Continue reading

Plein Air painting + my travel art journaling supplies

When I think of plein air painting, I think of the impressionists and my absolute favorite artist in the whole wide world, Claude Monet.

Water-Lilies-and-Japanese-Bridge-(1897-1899)-Monet

Water Lilies and Japanese Bridge, Claude Monet

Plein air is nothing but the act of painting outdoors. Artists would typically scope out the landscape, find an area of interest, set up their easels and start painting what was in front of their eyes. The colors, quality of light, interplay of shadows, everything was as true to the time of day and season in which they were painting.Continue reading

{O} Adding Organic elements to your art journal

There’s something about the fleeting life of a flower that makes me want to stop and capture it and freeze it in time. I used to have a lot of them pressed between the pages of various books. I went through a phase when I was obsessed with taking macro photographs of flowers at various stages of life – bud, bloom, decay, death. And now that I’ve been creating art journals, I’ve been thinking about ways in which I can capture them on the page.

instatales-vintage-flower-vase-the-letter-short-story

That’s one of the reasons why I am drawn to encaustics – they can be easily trapped behind layers of wax, which would further enhance their ephemeral beauty. But since I’m still a bit scared to venture into encaustics, I’m thinking of other methods.Continue reading

Nail those paints: the wonderful world of acrylics

Acrylics are my absolute all-time single favorite art supply. If I ever had to pare back my supplies {gasp!}, I would keep all of my tubes and bottles and jars of acrylic paints. And inktense pencils and gesso and….but, I digress. Let’s talk acrylics.

All about acrylics in depth primer to acrylic paints

I can spend a couple of hours just going over the variety and minute differences between the acrylic paints and brands available on the market, and all the ways in which you can manipulate acrylics with different mediums to achieve slightly different effects. But I’m going to distill it into the most usable and comprehensive guide geared towards art journaling.Continue reading

Mad about mediums: a primer to acrylic mediums

When I started art journaling, my paint of choice {i.e., what I had lying around the house from my previous art experiments} was poster paint. But I soon realized that these paints are water-reactive and that you cannot layer on paint colors without it all turning into a gloopy mess. So, I went out and bought myself a set of acrylic paints.

As I started playing with acrylics, I knew I had found my art soul mate – except, there was no way to blend these well, because they dried so damn fast! Then started my research – and soon, I was lost in the world of mediums.

There are SO MANY acrylic mediums, and mediums from each company act slightly differently, that within minutes, my head was reeling with too much information. But if, at any point, you want to move beyond the art journal page and on to canvas, you really need to know your mediums so that you can achieve the effects you want without pulling all your hair out.

So, let’s get right into it!Continue reading

Luscious glazes to make your art journals pop

Ah, glazes! So much changed for me the day I understood glazes and how to use them – and I still have a lot more to learn. But here’s the skinny on them: at the most basic, glazes are thin layers of paint that you use to either deepen colors and/or to bring a page together to make it look cohesive. When you use it with a glazing medium, you can blend colors together so the transition between two colors looks seamless.

You can create glazes with thinned down acrylics or acrylic inks, or by using glazing medium. I’ve also used glazing techniques with Inktense pencils.Continue reading