When Sweetness gives birth to Lula Ann Bridewell, who calls herself Bride, she is unprepared for her darkness. Bride’s blue-black coloring repels Sweetness, who doesn’t want to hold her or touch her. It makes Sweetness unduly harsh, constantly criticizing and shouting at the young Lula Ann, who only wants her mother’s approval – at any cost.
Seahorse is the story of Nem, a student of English literature at Delhi University. He drifts between classes, attends off-campus parties with free-flowing drinks and weed, and writes articles for the college magazine. Until one day he crosses paths with an art historian - an encounter that changes the course of his life, steering him into a world of pleasure and artistic discovery. And then one day, without warning, his mentor disappears.
In the years that follow, Nem settles down in South Delhi, earning a name for himself as an art critic. When he is awarded a fellowship to London, a cryptic note plunges him into a search for the art historian - a search that forces him to revisit the past and separate fact from fiction.
Seventeen years later, Melissa is handed a journal. As she smoothes open the pages and begins to read her mother’s words, she is instantly transported back to her childhood.
As I write now, you are eight years old – asleep in the bed next door in princess pyjamas, with a fairy costume discarded on the floor.
Twenty-Five. The age I had you. The age our story began. And the age, I hope, that will see you truly ready for the things that I need to say to you…
Melissa’s boyfriend has just popped the question, but ever since she lost her mother, she’s afraid – of what, even she isn’t sure. So though she loves Sam, she tells him she isn’t ready to get married. Sam is afraid that Melissa will leave him, Melissa is afraid she will lose Sam. And in the middle of this drama, the lawyers call to hand over her mother’s diary. Her mother. Whom she hasn’t really mourned properly. Who died, suddenly, and left her alone – a bundle of nervous ticks and an over analysing mind. Scared of disappearing in the middle of her story.
Imagine, if you will, a small farmhouse. A store that sells produce grown at the property. A husband-wife team who run the show. Let’s go over to the house – it’s old. But when you enter, you see that each room is lovingly restored. The husband’s built all the furniture in his workshop. The wife has helped strip and paint the walls. It’s homely, comfortable, and has character. Running through the house are their two sons, Will and Andrew, and their dog Max.
Isn’t that a pretty picture? One of love and joy, togetherness and companionship. But, look a little closer, and you’ll see that the woman, Ronnie, isn’t entirely happy where she is. She has a major in journalism, but gave up her career to marry Jeff. Somewhere along the way, she found herself adrift, alone in the marriage, and questioning her very identity. Look even closer, and you’ll see the darkness of depression lurking there in the background. A darkness that is about to come out front and centre and destroy the very fabric of this family, and of the small town where they live.
Former Marine helicopter pilot Jack Morgan runs Private, a renowned investigation company with branches around the globe. It is where you go when you need maximum force and maximum discretion. Jack is already deep into the investigation of a multi-million dollar NFL gambling scandal and the unsolved slayings of 18 schoolgirls when he learns of a horrific murder close to home: his best friend's wife, Jack's former lover, has been killed. It nearly pushes him over the edge. Instead, Jack pushes back and devotes all of Private's resources to tracking down her killer. With a plot that moves at death-defying speeds, Private is James Patterson sleekest, most exciting thriller ever.
I've long been a James Patterson fan, primarily of his Alex Cross novels - those are brilliant! But it's been a long time since I read any of his novels, so when this book came across my radar screen, I thought I'd give it a go.
I dived into the book with high expectations - it's a James Patterson after all, and a series for which he is teaming up with writers from across the world. I thought it would be interesting.
Kevern, a resident of a small village called Port Reuben, lives in a state of constant fear. Before leaving his house, he kicks the antique silk rug so it looks like something no one would care about, leaves a mug of tea on the table, and then carefully locks his door. But before he goes wherever it is he has to go, he looks into the house multiple times through the post flap to ensure that the house looks like it’s waiting for him to return at any minute. Why the paranoia?
Les Miserables – Manga classic
Gorgeous artwork for a classic story adapted into a Manga edition – what more could you ask for? If you’ve never read Les Miserables, or even if you have, you’ll love this book!
From the back cover: Trapped for 15 years in the stranglehold of a dead marriage and soulless household domesticity, the beautiful, full-bodied and passionate Meera Patel depends on her memories and her flights of fantasy to soothe the aches that wrack her body…until one cataclysmic day in Mumbai, when she finally breaks free. Bold, brazen and defiant, Sita’s Curse looks at the hypocrisy of Indian society and tells the compelling story of a middle class Indian housewife’s urgent need for love, respect, acceptance – and sexual fulfillment.
From the back cover:
Servants of the Goddess weaves together the heartbreaking, yet paradoxically life affirming stories of five devadasis – Women, in the clutches of an ancient fertility cult, forced to serve the gods. Catherine Rubin Kermorgant sets out attempting to make a documentary film about the lives of present-day devadasis. Through her, we meet and get to know the devadasi women of Kalyana, a remote village in Karnataka. As they grow to trust Kermorgant and welcome her as an honorary sister, we hear their stories in their own words, stories of oppression and violence, but more importantly, of resistance and resilience. Kermorgant becomes a part of these stories and finds herself unwittingly enmeshed in a world of gender and caste bias which extends far beyond Kalyana, all the way to Paris, where the documentary is to be edited and produced. Servants of the Goddess is a testament to women’s strength and spirit and a remarkably astute analysis of gender and caste relations in today’s rural India.
Art historian Mehrunisa is back. This time, the fight is more personal – finding the Kohinoor (a set of documents that will help India to avert a major terrorist attack) is the only way she can be reunited with her father, a man she thought was dead. Thrust into the high pressure world of espionage, where no one is as they seem, Mehrunisa finds herself in Pakistan, trying to hunt down the Kohinoor.
Meanwhile, in Afghanistan, Babur Khan – a hard-lined jihadi who enforces strict Sharia laws and promises to get rid of the Poppy pashas and infidel Americans –is also hunting for the Kohinoor to ensure that India doesn’t get its hands on the document.Continue reading