On my art table: Family lines

And the legend of The Red Thread

Intuitive figurative painting family lines

Color. All of my paintings start with an exploration of riotous color. And marks. And scratching into paint. Painty play.

From those initial layers, images emerge. With the stories that they want to tell.

My job is to find those images. To listen to the pieces of their story that they share with me as I paint.

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On my art table: The healing journey

The healing journey and the Hierophant

You know what they say about healing – you’re constantly spiraling back to your lessons, uncovering deeper and deeper layers that need to be healed.

And when you are in the collective year of The Hierophant, you can find yourself dismantling “the way things are done” in favor of the way you would rather live your own life, even though it may be counter-cultural.

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On my art table: Origin Stories

On time, and life, and our multi-dimensional being

Abstract portrait origin stories

Swirling currents, eddying over the surface of the water,

forming whirlpools that whisper to her their song of change.


As the waves crash over the rocks, the sea salt spray on her lips

carries the tale of the journeys that were and the journeys to come.


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On my art table: The Bridge

Because all we need is love

abstract landscape painting the bridge

I love painting intuitively. Often, I start by picking up a bunch of different kinds of paints – heavy bodied, inks, fluids – in a variety of colors. I always have a variety of mark making tools on my table, ranging from brushes and pencils, to catalyst blades, palette knives and my fingers; and a variety of mixed media supplies like colored pencils, oil pastels.

Just throwing everything together, following my impulse, and seeing what arises brings me immense joy. Like on this piece – finding those little hearts within the layers of paint, and then noticing so many more abstract heart shapes peeking out throughout this piece.

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Instructions for life

On being a rebel, a stream of consciousness prose poem + a painting from my studio

Instructions for life and living in a hyperconnected world

I will participate, but not as asked.”
― Jenny Odell, How to Do Nothing: Resisting the Attention Economy

When I was in my fiery teens, my father declared me a rebel without a cause. I’ve always been contrary. If you tell me to go up, I will go down. If you tell me not to do something, you can be sure that I will go right ahead and do it. And then proudly tell you that I did it too. That fiery rebellion of my teenage years has mellowed over the years, though – I guess that’s what they call aging.

I may not be a fiery rebel, but I am still contrary. I question most things. I tend to think deeply. Sometimes, it is annoying. It would be so much easier to just go along with what everyone else is saying. With the things the world seems to value. With what everyone else is chasing. It is so much more difficult to try and swim against the tide.

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Dancing with the muse

Plus some scenes from around the studio.

Dancing with The Muse: Finding our creative genius

I spent most of the weekend in the studio – painting, writing, creating. Completely engrossed in the paintings and projects before me. Flowing between paintings and projects and journaling and enquiry.

Not every weekend is like this, though I wish it was! Not every painting session goes so beautifully. And that got me to wondering.

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Art studio tour + can clutter really boost creativity?

Home art studio tour + why artists and creatives thrive in a messy environment

At the end of each year, I do an annual studio clean up: clear out the mess, scrub the dried paint off the table, and throw out the junk that tends to accumulate over the months. I thought I’d give you a little before and after of the process, plus a quick little studio tour!

My art studio is in a spare room that also doubles up as the husband’s study area, and these days as my home office.

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Finding my unique abstract language

Finding and developing my unique abstract language

Once upon a time, I hated abstracts. I didn’t understand the fascination with Jason Pollack’s crazy lines (still don’t), or why a single stipe of red across a canvas is considered “deep and meaningful work that traces the oeuvre” of an artist’s life and work (still don’t).

And still. I felt a pull towards abstract paintings. One that I didn’t understand. I mean, didn’t I just tell you how much I hated them?

So I tried. And resisted. And failed. And tried again. I got myself some books to try and understand abstract art – two, really:

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What your art practice can teach you about breaking out of your comfort zone

What your art practice can teach you about moving out of your comfort zone

As artists, most of us have our favorite color palette – the paint tubes and color pencils we reach for over and over again. Mine are blues, pinks, purples, and hints of orange.

Sometimes, though, it’s good to pick up the colors that you tend to ignore. For this particular painting, I spied a little-used tube of emerald green, which I decided to pair with orange and some hints of turquoise blue.

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Trust the process

Trust the process notes from an intuitive painting session

Notes from a recent intuitive painting session

Some days, you just feel so directionless, y’know? Like why are you here? What are you doing? What is the meaning of all this?

And those big questions make you feel scared and hesitant about everything. This is also something that shows up when I paint intuitively.

When I started this painting, I was just splashing paint, making marks, having fun (swipe to see – you’ll see a little arrow on the image below), and then I started getting scared.

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